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If you have ever stood in front of a guitar amp with full bore distortion dialled in you will a) know just how much fun this is and b) know that you are walking a fine line between cutting tone and screeching, eardrum shattering feedback. Apart from make a lot of noise (thank goodness for the headphone out) this part of the test showed the key issue with these type of guitar interfaces - susceptibility to screeching feedback, apparently due to crosstalk from the close proximity of microphone and audio out circuits (or something similar). This has an effect on the tone of the guitar which becomes more evident, although still slight, when using a bit more gain.įinally, we stopped playing nice and opened up the screaming distortion and high gain amp models to see what these interfaces could do. This was the case in both apps, and there is a definite small volume lift when using the battery powered AmpKit LiNK over the non-powered iRig. If you listen very carefully you may hear that the AmpKit LiNK provides a slightly clearer, less muddy sound than the iRig. In Amplitube it is Preset 1 - 'Mild Crunch' and 'Captain Crunchy' in AmpKit. The next thing we are going to look at is the Crunch preset in each app with both guitar interfaces. Read on to find out what happens as the volume gets louder. In Part 2 we are going to ramp up the gain and continue to compare the performance of these two guitar interfaces. In Part 1 we set out the use for these interfaces and compared the basic dry signal passed from a guitar via these interfaces and the Clean Amp settings in the two iPad apps that partner with these devices, Amplitube and AmpKit. This is the second of a two part head to head review of iRig and AmpKit LiNK, arguably the two primary guitar (or other line level instrument) interfaces for the iPad (of the ones that use the headphone socket). We are really looking forward to seeing more of it, what do you think? The video below is the official trailer for the new standalone Fender version of AmpliTube. ![]() #AMPKIT VS AMPLITUBE FREE#There will also be a free version to try out first, as always, which for some people is enough. The new Fender version of AmpliTube will cost $14.99 as a standalone but you will be able to buy these new amp models and effects individually or as a bundle via in-app purchase if you already have the original AmpliTube for iPad, like many of us do. IK Multimedia's status and past experience in this area really stands out in their products, as is shown by Fender's heavy involvement in this app.Īll the details are on the product page, so we won't repeat them here, but be sure check them out. We have to say that the early desktop versions of AmpliTube are responsible for getting us excited about amp modelling. This new version, featuring only Fender authorised amp models and effects, promises to be amazing especially if you have a Strat or Tele type of guitar. The video also shows off the gorgeous user interface, something that always impresses us with the AmpliTube apps. We would love to see what creative things you are up to with your iOS devices.Īlthough it is not out yet, what you see above is an overview of the gear included in the new AmpliTube Fender for iPad. If you have anything you want to share with us let us know on Twitter or on our Facebook page or you can email us using the link at the top right. ![]() There you go, we hope this gets your creative thoughts going for today, even if you do have to wait until you get home to try them out. Michael has more of his musical creations over on his SoundCloud channel and you can also follow Michael on Twitter. It has a great Bluesy vibe which we liked a lot. Drums were audio copy/pasted from InstantDrummer Heartbreaker. #AMPKIT VS AMPLITUBE UPGRADE#Michael recorded this whole track on his iPad using the new AmpliTube Fender for iPad and the in-app upgrade 8 track recorder. We would encourage you to check out more of Paul's work on Flickr and you can also follow him on Twitter.įender AmpliTube Recording by Michael Coffman #AMPKIT VS AMPLITUBE PORTABLE#Paul created this with the Brushes app on his iPod Touch (but he is also prolific on his iPad too) whilst on the Bus, at home and wherever he happened to be, showing off the versatile and portable nature of the multitouch interface as a drawing canvas. To keep your inspiration going and to maybe spark a bit of creativity on this the furthest day away from the weekend, we would like to offer a few videos from our readers who have shared their iOS device creations with us recently - we hope you enjoy them.įirst up, Paul Kercal's Plastic Man sketch which we liked a lot. It is Monday again and for many of us it is back to the 'day job' after a weekend of playing around and trying something creative with our iPads. ![]()
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![]() ![]() It’s impressive what can be done with a popular character and a good game. It has gameplay mechanics very similar to. While none of these games are groundbreaking, they attracted their fair share of fans, to the point where some are requesting HD remasters to this day. SpongeBob SquarePants Diner Dash is a time management and waiter game featuring the famous cartoon character. The player controls SpongeBob, setting tasks for him to perform his job duties at the Krusty Krab diner. It has gameplay mechanics very similar to Diner Dash, not surprising since it was co-developed by the same company. There are a lot of SpongeBob games that proved good interactive adventures could be made with the property. SpongeBob SquarePants Diner Dash is a time management and waiter game featuring the famous cartoon character. ![]() SpongeBob Diner Dash Deluxe, on the other hand. The worst part about this is that SpongeBob deserves a lot better than painful rip-offs of pre-existing games. Super Bouncy Fun Time is funny, addictive, adds new spins on old gameplay formulas, and utilizes mountains of voice clips. Nowadays, gamers are much more attuned to the signs of a bad game before it launches. With a focus more on getting the product out rather than trying to make it good, quality was often thrown out the door to make a quick buck. These games are attempts to cash in on the property and bring everyone’s favorite yellow sponge to gaming consoles.Īs many people know, this resulted in a lot of poorly-made games. With a cartoon as big as SpongeBob SquarePants, it’s only fitting that there be a lot of games created with the characters and familiar environments from the show. SPONGEBOB DINER DASH GAMEPLAY TVNickelodeon’s new undersea TV show took the industry by storm, launching it to one of the biggest cartoons ever made. SpongeBob SquarePants is one of the most popular cartoon characters to date. ![]() ![]() This very biased framework was the foundation for how I went about watching this show, and is probably the only reason why I didn't drop it after a few episodes. very slow and seemingly nonsensical story that only makes sense as the narrative approaches its conclusion? check. the side characters and antagonists are much more interesting and fleshed out than the happy-go-lucky main character who is a walking plot device? check. memories being altered, influenced, or erased by being tied to emotions? check. emotions being used as a resource or catalyst to reach this grand collective entity of emotions? (Fragments = Hearts) check. a grand collective entity of emotions that holds absolute authority over all emotional power? (The Common = Kingdom Hearts) check. over the top light/darkness motifs that really hammer home how edgy this is? check. the main conflict of the narrative centers on opposing ideologies on how feelings and emotions should influence relationships with others? check. main characters that fight with weapons and powers that are the manifestation of their emotions? check. Let's go over the similarities between Blue Reflection Ray and the Kingdom Hearts series. The singular reason why I personally enjoyed Blue Reflection Ray so much is because this show is the closest thing we have to a Kingdom Hearts anime adaptation. ![]() The rating reflects (haha this guy is funny) my bias that comes from how I interpreted the narrative and plot points of the show. This doesn't mean that this show is some hidden gem of an underrated masterpiece that I think literally everyone should be able to enjoy, far from it. noticed my score is very high for this show. Getting into reviewing the actual anime, you have already probably Disclaimer that I actually haven't played Blue Reflection, so someone who actually has can correct me on this because their opinion will be more valid than mine. So it should be fine watching this without playing the game. From my understanding none of the main characters (Yuzu and Lime are recurring side characters) and plot points carry over from the game, so it definitely qualifies as a spinoff that uses the concepts from the in-game universe but nothing else. ![]() ![]() Blue Reflection Ray is an anime spinoff for the PS4/PC game Blue Reflection released in 2017. ![]() ![]() ![]() Release Date: 13 July 1987 Developer: Konami Publisher: Konami | Ultra Games (NA) 21 2015 – Metal Gear Solid V: The Phantom Pain.20 2014 – Metal Gear Solid V: Ground Zeroes.19 2013 – Metal Gear Rising: Revengeance.17 2010 – Metal Gear Solid: Peace Walker.14 2008 – Metal Gear Solid 4: Guns Of The Patriots. #Revengeance timelime portable#
![]() ![]() Īdobe was founded in December 1982 by John Warnock and Charles Geschke, who established the company after leaving Xerox PARC to develop and sell the PostScript page description language. The company also expanded into digital marketing software and in 2021 was considered one of the top global leaders in Customer Experience Management (CXM). Adobe offered a bundled solution of its products named Adobe Creative Suite, which evolved into a subscription software as a service (SaaS) offering named Adobe Creative Cloud. ADOBE PDF READER FREE DOWNLOAD FOR WINDOWS VISTA 32 BIT PORTABLEIts flagship products include Adobe Photoshop image editing software Adobe Illustrator vector-based illustration software Adobe Acrobat Reader and the Portable Document Format (PDF) and a host of tools primarily for audio-visual content creation, editing and publishing. ![]() It has historically specialized in software for the creation and publication of a wide range of content, including graphics, photography, illustration, animation, multimedia/video, motion pictures, and print. ![]() ( / ə ˈ d oʊ b i/ ə-DOH-bee), originally called Adobe Systems Incorporated, is an American multinational computer software company incorporated in Delaware Īnd headquartered in San Jose, California. ![]() ![]() ![]() See Katscher's article for a complete translation of the poem into both English and symbolic notation. He even points out an error in Tartaglia’s poem. Will be the value of your principal unknown. To the third of the cube of the cose net. Hereafter you will consider this customarily This is the beginning of Katscher’s translation of the poem into English:Įquates itself to some other whole number,įind two others, of which it is the difference. ![]() Perhaps Tartaglia was subliminally urging Cardano to abandon all hope of solving the cubic equation. Incidentally, the rhyme scheme is terza rima (aba bcb cdc etc.), which first appeared in Dante's Inferno. In case you doubted that everything sounds more romantic in Italian, here is Tartaglia’s original Italian poem. I went to a Convergence article, “ How Tartaglia solved the cubic equation” by Friedrich Katscher, to learn more about the poem Tartaglia sent to Cardano. (You can read more about their dispute here.)Ĭonvergence, a magazine published by the Mathematical Association of America, is a great resource for learning about mathematics through its history. Tartaglia shared the formula with Cardano as a poem, and Cardano ended up publishing it. Another mathematician, Girolamo Cardano (1501-1576), wanted to learn the formula and promised not to publish it. 1500-1557) had discovered a way to solve certain kinds of cubic equations. You can read expanded (sometimes embellished) accounts of it elsewhere, but the part that concerns us is that Niccolò Tartaglia (ca. The eventual solution of the cubic equation is one of the more colorful stories in math history. While versions of the quadratic formula were known to the ancient Babylonians and medieval Islamic mathematicians, the cubic equation stubbornly resisted a general solution for many more years. But did you ever learn the cubic formula? Probably not-it’s quite complicated and not nearly as easy to derive. Many of us memorized the quadratic formula in middle or high school (perhaps to the tune of “ Pop goes the weasel”). The more familiar quadratic equation has the form ax 2+bx+c=0, while a cubic equation generally has the form ax 3+bx 2+cx+d=0. A cubic equation is a polynomial with a 3 as the largest exponent. This month, I stumbled on an early example of mathematical poetry in the solution to the cubic equation. For the past few years, I’ve been taking Stephen Ornes’ suggestion and making it Math Poetry Month. Not only is it the cruelest month (or, in the notation of first-order logic, ∀m (a≤ Cm), but it’s also Mathematics Awareness Month and National Poetry Month. ![]() |
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